|
|
|
Diana discovers Callisto's Misdemeanour Painting ID:: 33484
|
Palma Vecchio Diana discovers Callisto's Misdemeanour mk86
c.1525
Oil on canvas on wood
77.5x124cm
Vienna,Kunsthistorisches Museum
|
|
|
|
|
|
|
|
Young Faunus Playing the Syrinx Painting ID:: 38734
|
Palma Vecchio Young Faunus Playing the Syrinx mk141
ca.1513/15
Oil on poplar
19.6x16.4cm
|
|
|
|
|
|
|
|
The Holy Family with Mary Magdalene and the Infant Saint John Painting ID:: 40321
|
Palma Vecchio The Holy Family with Mary Magdalene and the Infant Saint John mk156
c.1520
Oil on wood
87x117cm
|
|
|
|
|
|
|
|
Paola Priuli and Francesco Querini Painting ID:: 41213
|
Palma Vecchio Paola Priuli and Francesco Querini mk157
1528
Oil on wood
82x73.5cm
|
|
|
|
|
|
|
|
Portrait of a young bride as flora Painting ID:: 43049
|
Palma Vecchio Portrait of a young bride as flora mk170
circa 1520
Oil on wood
80x64cm
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Palma Vecchio
|
1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE |
Related Artists::. | Henrietta Rae | Ignazio Danti | Axel Axelson | |
|